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Working to advance and preserve the arts at the center of Vermont communities.
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Welcome to the Vermont Arts Council's new "classifieds" section. In this new resource you'll find listings for jobs, calls to artists, art supplies, funding opportunities, classes, conferences and much more. If there's a category you think we've forgotten, feel free to suggest it here. Or, if you would like to submit a listing, simply fill out the form below.

JOBS | CALLS TO ARTISTS | FUNDING/GRANTS | EVERYTHING ELSE
* Please note: The dates in orange are the day the listing was posted. Deadlines are in black and are bold.
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The Vermont Alliance for Arts Education (VAAE) seeks a qualified, part-time Interim Director to lead a statewide coalition of arts educators and their allies. The VAAE advances student learning through the arts. To accomplish our mission, VAAE: Advocates for arts education programs for all students; Promotes professional development by sharing information, ideas, and resources among people dedicated to arts education; Encourages innovative collaboration among artists, individuals, cultural, and educational organizations; Recognizes notable achievements by individuals and organizations in arts education; and Partners with local, state, and national organizations concerned with arts and education. VAAE aims to meet these goals with the help of its supporters, partners and clients.
The new director will rebuild the Alliance’s capacity as a service organization to Vermont arts educators and teaching artists, working closely with four discipline-specific arts education associations, the Vermont Arts Council, and Department of Education. The Interim Director will work as a 20-30% FTE depending on experience and salary for an 18-month contract commencing November, 2010. With success, the Interim may be considered for appointment as Executive Director with increasing responsibilities and compensation after the interim period.
The successful candidate will be a skilled collaborator who can find consensus and build coalitions. She or he will be a good listener and communicate well. The best candidate will have arts education knowledge and experience that is credible to Vermont arts educators and funders and experience with, or understanding of, nonprofit management. The Alliance seeks a fiscally responsible person of integrity who would welcome the challenge of rebuilding a strong voice for arts education in Vermont.
The Interim Director reports to the VAAE board of directors and must be motivated, set priorities, and manage multiple tasks. Continuation of the position after the interim period will depend upon the director’s successful grants writing and supporting the board in fundraising.
The Interim Director may work from home and must have capacity to set up an office in Vermont and work independently. The Alliance welcomes applications from retired, part-time, or emerging educators and arts managers. VAAE is an equal opportunity employer and women, people of color, and people with disabilities are encouraged to apply.
Specific responsibilities include: serve as hub and primary contact for the Alliance, communicate with arts educators and allies through newsletters, electronic communications, and orally; write grants and support board fundraising; collaborate with partner agencies; plan and oversee delivery of continuing professional education (which has and may again include courses, institutes, and conferences); work with board to set the budget and monitor finances; report regularly to the board and at quarterly board meetings; and supervise volunteers and contracted teaching artists who help carry out the work of the Alliance.
Interested applicants will please submit their resume and three references electronically to info@vaae.org by September 23, 2010.
For a list of current job openings in the arts, visit the Jobs page of the Cultural Commons. For arts management positions, see Americans for the Arts' job bank. Other links to arts jobs listings include www.backstagejobs.com, www.playbill.com/jobs/find, New England Theater 411's Call for Production Team, and TCG's ArtSEARCH.
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Year-round, 2-12 week residencies for artists and writers. Residents receive individual studios, private rooms and all meals, plus access to prominent Visiting Artists and Writers offering slide talks, readings and studio visits. Full fellowship application deadlines: June 15, October 1, 2010, and February 15, 2011. In addition to VSC Full Fellowships, a variety of special fellowships are also available for full or partial funding. MFA program available with Johnson State College. For information regarding full fellowships and other available awards, see: www.vermontstudiocenter.org
For visual artists, writers, creators in other disciplines like design, fashion, architecture ... with a project of residency.
artistay works with professional art residencies in France.
All residence programs we work with aim to provide a nice living environment, premises and equipment adapted for the creation, administrative and basic technical support as well as a social, cultural and artistic environment encouraging the exchange and dialogue.
Description:
- Duration of residencies from 2 weeks to 4 months
- Applicants are responsible for the funding of the residency participation fees, they can though do an application with artistay even if they haven’t secured the funding yet. We can provide necessary documentation and contacts for funding advice.
- artistay service is free of charge for the applicant.
Application:
Please email your documentation and information (CV, website or portfolio, residency proposal, date of residency) or contact Catherine Cordelle at apply@artistay.org .
We’ll study your application carefully and help you to achieve your aim of finding a residence in France, and one ideally suited to your requirements.
More details about our service and application on our website www.artistay.org Or visit the blog for artist mobility and artist in residence: http://www.artistay.org/en/blog-artist-in-residence.html
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The 6th annual Touch of Vermont Holiday Gift Market is looking for vendors for our Saturday December 11 juried craft show. The Touch of Vermont Holiday Gift Market is at Montpelier City Hall and is a great event for holiday shoppers and also gives back to the community by hosting a fabulous fundraising raffle for OUR House of Central Vermont. Go to www.TouchofVT.org to download an application or email info@TouchOfVT.org for any information. (Deadline September 10, 2010)
The Gulf oil disaster is but one example of the ways in which our fossil fuel economy is impacting the planet we call home. But as bad as this catastrophe is, the specter of global climate change looms even larger as a threat to sustaining life on Earth. Despite overwhelming evidence -- species extinction and dwindling water supplies to mass migrations and mega-storms -- the public is still unclear what climate really means for them.
That is why we are calling on artists worldwide to participate in the CoolClimate Art Contest – the first online art contest exploring climate change in its many forms – how it is impacting our lives and what can be done to ensure a sustainable future for all of Earth’s inhabitants.
Artist brief: submit a work of art that explores our relationship with the climate – from clean energy jobs to pollution-free oceans – the subject choice is yours. You can submit a piece you’ve already made, or pass this email along and get an artist friend involved. Post your art on www.coolclimate.deviantart.com and you will be eligible to win prizes, be featured on the Planet Green Planet100 show and be displayed at key leader events nationwide on 10/10/10.
You can read the Official Contest Rules on the CoolClimate Group Page.
A panel of esteemed judges will select 20 finalists from hundreds of submissions. The finalists will then move to Huffington Post for public voting utilizing the Huffington Post’s innovative online social voting tool. Judges include:
- Mel Chin (artist)
- Philippe Cousteau (ecologist)
- Agnes Gund (collector & philanthropist)
- Van Jones (environmental activist)
- David Ross (curator)
- Carrie Mae Weems (artist)
- Jackson Browne (musician) and Dianna Cohen (artist)
- Chevy Chase (Comedian) and Jayni Chase (philanthropist)
Historically the creative community has always helped to create new and expanded visions of possibility during difficult times and we look forward to the artist’s vision for a cool and sustainable future.
SPONSORS
- Creative Visions Foundation -- dedicated to individuals who use the power of media and the arts to create positive change in the world.
- Crosscurrents Foundation
- Quixote Foundation
PARTNERS
- Artillery Magazine
- 1Sky
- 350.org
- Clean Energy Works
- Climate Change Education
- Defenders of Wildlife
- deviantART
- Earth Day Network
- Ecorazzi
- Energy Action Coalition
- Environmental Defense Fund
- Green For All
- Hip Hop Caucus
- Huffington Post
- Metropolis Magazine
- National Wildlife Federation
- Oceana
- Planet100
- Rock the Vote
- Student PIRGS
- Southern Energy Network
- SustainUS
- World Wildlife Federation
FundsforWriters.com and Literary Database team up to co-sponsor the 9th Annual FundsforWriters Essay Contest. Theme: Writing that made a difference. Both entry fee and no entry fee categories. First place winner receives $300. Six awards given. Limit 750 words. Deadline October 31, 2010. Winners announced December 1, 2010. FundsforWriters.com has been recognized by Writer's Digest Magazine in its 101 Best Websites for Writers for the last ten years. A decade of recognized credibility and excellence for writers.
Deadline for submissions: September 17, 2010
Art in State Buildings Project: The Vermont Arts Council (Council) in association with the Vermont Department of Buildings & General Services (BGS) announces a search for a Vermont artist or artist team to oversee design, fabrication, and installation of aesthetic enhancements to the Forensics Lab and the Department of Public Safety Facility in Waterbury, VT as part of renovations and an addition to the existing building.
The individual(s) must be able to engage with the community and work in partnership with the Vermont Department of Buildings & General Services, the architects for the project and representatives from the departments occupying the facility. The artist(s) will conceptualize and identify appropriate aesthetic treatments for proposed project elements. The “Lead Artist” will be responsible for the overall design, planning, and implementation.
Read more.
Are your videos more than a documentary? More than entertainment? More than fun and games with family and friends? Visual Overture Magazine is accepting submissions for a special section of the magazine called “Spotlight on Video Art,” to be included in the Winter 2010 issue, which will feature the work of one serious emerging videographer whose work is fine art.
Materials to Submit: 2-3 videos, 500 word essay describing why your video work can be classified as fine art
Deadline: September 30, 2010
Online Application: www.visualoverture.com/artists.htm
Calling emerging artists everywhere! Visual Overture Magazine, a quarterly exhibition-in-print publication, is now accepting entries for the "Featured Emerging Artists" to be presented in the Winter 2010 issue. The juror, Dan Addington, will select 7 artists for feature in publication. Selected artists are presented on two pages of magazine and receive 3 complimentary copies of issue in which they are featured. This is an excellent opportunity for under-represented artists to connect with galleries, curators, and collectors!
Accepted Genres: Sculpture, Metals, Textiles, Photography, Mixed media, Painting, Drawing, Video art, Digital art, Printmaking, and Installation
Deadline: September 30, 2010
For more info and to apply: http://www.visualoverture.com/artists.htm
The VSCCOC is a State of Vermont Governor's Commission whose purpose is to review and designate organizations that have or seek Vermont State Craft Center status. The VSCCOC has appointed The Standards Group to develop, administer, and review applications for the designation. The Standards Group will recommend new organizations for the Vermont State Craft Center designation. Juries are held once a year.
The Standards Group meets every 2 months at a location central to its members. Meetings are usually held from 2:00 p.m. – 4:00 pm and are scheduled around the needs of the Group. This is a working board and Group members are expected to be active participants.
Standards committee members will:
- Have a knowledge of the crafts community in Vermont
- Attend Group meetings
- Attend subcommittee meetings as needed
- Complete follow-up work between meetings as needed
- Facilitate/organize 1 jury per year
- Review jury committee recommendations
- Pass recommendations on to the Commission
The Standards Group welcomes nominations from people in all areas, but with the goal of geographic diversity, they are especially interested in representation from the Northeast Kingdom and southwest Vermont.
It is essential that new members are comfortable using a computer and working collaboratively both in person and online.
Please consider contributing your experience and leadership to an effort that serves the Vermont crafts community. If you are interested in volunteering for the committee, please contact Elissa Campbell at erscampbell@gmail.com or complete the online Standards Group Member Questionnaire: vermontcraftcenters.com/sgmemberquestionnaire.html
Have you always wanted to create a scarecrow with your individual flare? Well, here’s your chance to let your imagination run wild!
Linking Learning to Life, a Burlington-based education non-profit, is hosting the NEFCU Giant Pumpkin Regatta & Festival on Oct. 10th at the Burlington Waterfront and is looking for local artists to show off their talent by making some awesome scarecrows to advertise the event. The scarecrows will be prominently displayed around downtown Burlington the week before the event (Oct. 1 – Oct. 9) in areas such as Church Street or in front of sponsoring businesses. They will then be transported to the Burlington waterfront during the Festival on Oct. 10 to be voted on for their creativity and auctioned off in a silent auction to raise money for Linking Learning to Life.
The NEFCU Giant Pumpkin Regatta & Festival is an annual event hosted by Linking Learning to Life in partnership with the Lake Champlain Regional Chamber of Commerce and the VT Giant Vegetable Growers Association. It draws thousands of people to the Burlington waterfront for a day of fun and raises money to support PILOT – a youth leadership program for area high school students.
There is no entry fee, but there are some rules…
Please contact Lindsey Lathrop at Linking Learning to Life for more details. E-mail: llathrop@bsdvt.org Phone: (802) 951-8849 or go to: www.LLLvt.org/pumpkin.
The 2011 Wearable Art Awards invites artists and designers to submit application packages for original garments to be included in the event’s performances and exhibition.
$5,000 CDN in prize money will be awarded. Presented by the Port Moody Arts Centre Society, the Wearable Art Awards encourage artists of all mediums to submit evocative, imaginative and thought provoking creations for the human body.
To participate in the 2011 Wearable Art Awards, the artist’s application package must be submitted electronically at wearableartawards.com/apply no later than 5 pm on December 10, 2010. This application contains:
- Artist contact information;
- Information related to each entry to be entered into the competition (an artist can submit up to three) stating the entry’s title, materials/media used, garment size, and a 150 word statement; and
- Three photos of each entry to be entered into the competition (front, back, and a “bonus” photo of the artist’s choosing).
- There is a $30.00 entry fee for each entry submitted in an application. The artist must also deliver payment of the applicable entry fees either by cheque or credit card no later than December 10, 2010.
A jury panel will review the application packages received and select those entries that will be part of the Wearable Art performances and exhibition. Artists whose entries are chosen will be notified during the week of December 13, 2010 through email.
Silver Glass Productions seeks female performance artists for first annual New Seeds Festival
TAMPA, Fla. (Jul 1, 2010) Silver Glass Productions has announced a call for female performing artists to participate in the first annual New Seeds Festival. Silver Glass has announced that the first annual event will take place Mar 18, 19, 25 and 26, 2011.
Artist applications will open Aug 1, 2010 and supporting materials are due no later than Oct 15, 2010. Silver Glass will notify artists of their participation by Nov 15, 2010. The festival is seeking original, socially relevant work across all performance disciplines. Applications to apply can be found at http://www.newseedsfest.org/guidelines.htm.
Competition Exhibit to be held on September 25-26, 2010, at Woodstock's Union Arena at the Annual Vermont Fine Furniture & Woodworking Festival
Submit your best woodworking entries into the Vermont Fine Furniture & Wood Products Design Competition. On-site judging will take place that weekend and everyone is invited to an awards reception on the evening of Saturday, September 25. Students and professionals can come together to network and show everyone their best work from that year. Great prizes for first place winners!!
$35 entry fee for professionals, student entries free.
Entry forms due September 7, 2010
Click here for more information.
An online magazine covering life in New England is seeking to increase its roster of writers and photographers ahead of its relaunch. While the work is unpaid, this provides an opportunity to have your work published professionally and for it to reach a wide audience. Guidelines are available upon request. Please contact Mark Oliver by email in the first instance.
Deadline: No Time Limit
Respond To: Mark Oliver
Web site: Visit Website
Rural Vermont is looking for contributions of artwork from Vermont artists of all ages for potential use in our second set of Rural Vermont notecards. Photos, paintings, drawings or collages must reflect our vision of Food with Dignity. These notecards will be sold to raise funds to support Vermont family farms and our Farm Policy Network, and will also be used to encourage policy makers to help us achieve our vision of Food with Dignity. Deadline is October 30, 2009. For guidelines and more information, please contact Liz Knapp via email. For more information about Rural Vermont, visit our website.
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We're gearing up for our October 1st, fellowship deadline for our Learning in Arts & Culture Teacher Fellowships Program program which will offer 1-4 week creative revitalization residencies to visual arts and English public school teachers locally, statewide and nationally in 2011. The program includes opportunities for artistic mentorship, exhibition, support for the development of new creative curricula, and graduate credit. At least four of this year's fellowship awards will go to Vermonters.
The Multi-Arts Production (MAP) Fund, a program of Creative Capital supported by the Rockefeller Foundation and the Doris Duke Charitable Foundation, supports original new work in all disciplines and traditions of the live performing arts. The goal of the MAP Fund is to assist artists who are exploring and challenging the dynamics of live performance within our changing society, thus reflecting our culture's innovation and growing diversity. MAP is especially interested in supporting work early in its development; the touring of completed projects is not eligible for funding. Applications for MAP grants must come from U.S. nonprofit organizations; nonprofit artist-services organizations may apply as fiscal sponsors on behalf of artists or ensembles. Applying organizations and artists must demonstrate at least two years of professional experience. The online letter of inquiry process opens September 15, 2010 with a due date of October 15, 2010. Invited proposals must be submitted by January 10, 2011. Visit the MAP website for eligibility information and application guidelines.
Institute of Museum and Library Services: Conservation Project Support Program
Application deadline: October 1, 2010
This program provides support for efforts on the part of museums to implement a logical, institution-wide approach to caring for their collections. Priority will be given to projects that are among the given institution’s highest collections care needs.
National Endowment for the Humanities/Deutsche Forschungsgemeinschaft: Bilateral Digital Humanities Program: Enriching Digital Collections
Application deadline: November 16, 2010
This program provides support to digitization projects in the humanities in the following areas: new digitization projects and pilot projects, the addition of important materials to existing digitization projects, and the development of tools and infrastructure to enhance the use of digitized resources and support international digitization work. Support is also provided for up to two bilateral symposia or workshops. Collaboration between U.S. and German partners is a key requirement for both the Enriching Digital Collections and Bilateral Symposia and Workshops grant categories.
Aaron Copeland Fund for Music
The Program's Objective
To support non-profit organizations that have a history of substantial commitment to contemporary American music.
Eligibility
Applications may be submitted by non-profit organizations that have a history of substantial commitment to contemporary American music but whose needs are not addressed by the Fund's programs of support for performing organizations and recording projects, such as presenters and music service organizations. Projects that are part of the curriculum of an educational institution are not eligible for support. Organizations must have been in existence for at least two years at the time of application. Presenters, or organizations that are otherwise involved with performances, must have presented two full seasons prior to the season for which support is requested. If you have any further questions about your organization's eligibility, please see the FAQs.
Funding Provisions
Applicants may request either general operating support or support for special projects. Applicants should be aware that support in one year does not imply continuation of that support. Special projects relating to a broad spectrum of American music will be viewed more favorably than those relating to a single work or to a single composer.
The William Matheus Sullivan Musical Foundation seeks to identify talented young singers and help them develop professional careers through a program providing continuing financial support over a period of five years.
Following annual auditions in New York, the foundation provides a number of $10,000 cash awards to gifted singers in the early stages of professional careers, to be used for any career-related purpose. Winners may also receive role preparation assistance for a period of five years to help defray expenses incurred in musical, dramatic, vocal, and language coaching for specific professional engagements.
The foundation seeks exceptionally talented young singers who are taking first steps in professional careers. Applicants must be in the early stages of their careers, and have completed their academic training. They should have sung at least one engagement with a known opera company, symphony orchestra, or other organization utilizing full orchestral accompaniment, and must submit a copy of a contract or letter of intent for a future professional operatic engagement following the foundation's November auditions.
Guidelines and application are available at the Sullivan Foundation Web site.
The Kresge Foundation's Arts and Culture Program is inviting preliminary applications for its Facility Investments and Building Reserves grants. The opportunity is part of the program's Institutional Capitalization focus area, which is designed to strengthen the long-term financial health of arts and cultural organizations.
Facility investments grants support both project costs and the creation of a building reserve. This new grant opportunity will prioritize renovation and repair projects. On occasion, the program will entertain applications for new construction associated with exemplary sustainability practices or those that embody key principles of urban and community planning to enhance local quality of life. Building reserves grants are designed to seed or enhance a fund to support the ongoing maintenance and replacement needs of an organization over time.
Applicants must be organizations based in the United States and, if government-owned, must be operated by a separate 501(c)(3) organization. Start-up organizations and those organizations that are government-owned and operated are not eligible to apply.
Grant amounts will be dependent on the type of project and the size, scope, and business model of the organization. Some grants may be designed as matching or challenge grants. Additionally, full applications will be reviewed to see if other funding methods may be appropriate. In general, multi-year institutional capitalization grants will not exceed $1 million and/or a period of three years from the time of the grant award.
Organizations with competitive pre-applications will be invited to submit full applications. For those organizations that submit promising pre-applications but require additional support to complete their analysis, planning grants may be made available.
The foundation calls for preliminary applications for facility investments and building reserves grants twice a year, in the spring and the fall. The fall application period closes on September 15, 2010.
Under the Foundation’s Thriving Cultures priority area, the Teens Artistic Advancement Initiative seeks to address the isolation and lack of opportunities for artistic advancement for young people from disadvantaged communities. Of particular interest are programs that offer unwavering institutional commitment to teens as evidenced by the consistent availability of resources and staff. Programs that offer increasingly complex and long-term opportunities to create art with accomplished artists, those with high quality, experienced faculty and guest artists and professional artistic development opportunities for staff are a priority. Additional information can be found on the Web site. | Grant Range: $35,000 To $150,000 | Contact Info: SURDNA FOUNDATION, 330 Madison Ave., 30th Floor, New York, NY , 10017, Ph: 212-557-0010, Visit Website
The Foundation seeks to identify and promote creative ventures as well as sponsoring work that challenges its audience with new ways of perceiving the world. The Foundation supports contemporary work in the fields of film, architecture, design, and the visual and performing arts. It operates in two regional areas: California and New England. The California office supports projects with a primary focus on work taking place in California, Hawaii, and New Mexico. The New England office funds the work of independent film and video artists in the region and seeks to broaden recognition for the artists’ work locally and nationally. LEF New England seeks to accomplish its mission by multi-year funding of selected film projects and by sponsoring programs that highlight the rich history and ongoing legacy of innovation within New England’s independent film community. The deadline is for the California programs. Additional information can be found on the Web site. | Grant Range: $2,000 To $5,000 | Contact Info: LEF FOUNDATION, Marina Drummer, Grants Advisor, California Office, 121 Circle Road, San Rafael, CA, 94903, Ph: 415-499-9591, Fax: 866-333-2953 , Send Email, Visit Website, New England office: Sara Archambault, Program Manager, PO Box 382066, Cambridge MA 02238; 617-492-5333; 617-868-5603; sara@lef-foundation.org
The Doris Duke Charitable Foundation has approved a 2-year grant in the amount of $50,000 to the Amherst H. Wilder Foundation. The purpose of the Grant is to support the creation of the Doris Duke Leaders in the Arts Fund, which will subsidize the participation of leaders in the fields of dance, jazz, presenting and theatre in the James P. Shannon Leadership Institute.
For more information, or instructions on how to apply, please contact Paul Robinson at the James P. Shannon Leadership Institute at ppr@wilder.org or 651-280-2491.
The Surdna Foundation seeks to foster just and sustainable communities in the United States—communities guided by principles of social justice and distinguished by healthy environments, strong local economies, and thriving cultures. Through the Thriving Cultures priority area, the Foundation is currently accepting letters of inquiry for the Teens Artistic Advancement initiative. This initiative aims to stimulate fresh thinking and new approaches to address the isolation and lack of opportunities for artistic advancement for young people from disadvantaged communities. Support will be provided to nonprofit organizations that offer programs where young people have long-term opportunities to create art with accomplished artists, often resulting in strong mentoring relationships, as well as organizations that create professional artistic development opportunities for staff. Letters of inquiry may be submitted at any time. Visit the Foundation’s website for more information on the Teens Artistic Advancement initiative.
Ford Foundation: Space for Change Planning and Pre-Development Grants
The Ford Foundation's Space for Change is a $100 million initiative to support a new generation of arts spaces throughout the United States. This initiative is an investment in the creative energy of America, to help artists and arts organizations develop vibrant cultural spaces even in times of economic hardship. The Space for Change Planning and Pre-Development Grants, administered by Leveraging Investments in Creativity (LINC), will serve to position a group of exemplary arts organizations to present proposals for capital construction of outstanding artist facilities to a host of funders and lenders. The grants will provide support for critical planning and pre-development activities that may precede partnering in or leading a facility project. Nonprofit arts organizations with strong track records of artistic excellence, who are intending to buy, build, renovate, or partner in the development of, or become anchor tenants in, a vibrant artist space can apply for up to $100,000 in support of a facility project. Letters of inquiry for the final grant round for this phase of Space for Change are due September 17, 2010. Visit the LINC website to learn more about the eligibility requirements and the application process.
The Home Depot Building Healthy Communities Grant Program provides support to nonprofit organizations, public schools, and public service agencies in the U.S. that are using the power of volunteers to improve the physical health of their communities. Grants support community improvement projects that include activities such as building, rebuilding, painting, or refurbishing; increasing energy efficiency or sustainability; landscaping or planting of native trees; community facility improvements; and the development and/or improvement of green spaces. Grants of up to $2,500 are made in the form of The Home Depot gift cards for the purchase of tools or materials. The application deadlines for 2010 are March 1, July 1, and November 1. Visit the Home Depot website to take the eligibility test and submit an online application.
Click here for more info.
America is a nation of immigrants. Albert Einstein, Greta Garbo, Gloria Estefan, Michael J. Fox, Arnold Schwarzenegger, Carlos Santana—none of them was born in America. All chose America; like you.
Submit your story of authentic dramatic anecdotes (1,500–4,000 words) that epitomizes your experience as an immigrant who chooses to live in America. The goal of the project is to turn some of these stories into short films that will be shown in the movies and broadcast on TV.
WOULD YOUR STORY MAKE A GOOD STORY? THE CHOOSING AMERICA PROJECT
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“May the beauty we love be what we do. There are millions of ways to kneel and kiss the ground.” -Rumi
Imagine the poem that would flow from your pen while you relax on a wide sandy tropical beach, or the clay sculpture you would create after snorkeling along a coral reef, face to face with a giant hawksbill turtle. Brattleboro Clayworks member, Alan Steinberg and writer/Antioch faculty member Fred Taylor, will guide this journey of creative immersion in the world of tropical nature on the island of St. John, the jewel of the U.S. Virgin Islands.
Each day will include opportunities to explore the landscape and seascape – above and below the surface of the water: snorkeling gin-clear waters, floating effortlessly above coral labyrinths, face to face with turtles and brilliantly hued tropical fish; hiking to petroglyphs and ruins through deep woods of the National Park. Guided writing exercises will enable you to play with the rich imagery of the natural world, explore connections with your inner landscapes, and uncover hidden meanings, bringing them into form on the page. Clay work will enable you to ground your spiritual connection to coral, rock and root, to flipper, fin and feather, as forms emerge by hand through the tactile, intuitive earthiness of clay.
“Vacant” and “Vacation” come from the same root. In addition to nature exploration, writing and clay work, every afternoon you’ll have free time to lie on the beach, explore on your own, or do whatever you need to renew yourself. Being in a place of great beauty evokes beauty in us, and this gift of beauty we receive becomes the gift of beauty we create.
Alan and Fred work together to provide a unique atmosphere for stimulating creativity, while in the presence of wild nature. They’ve led workshops in the woods of Vermont, on the beaches of Cape Cod (through the Truro Center for the Arts), and among the big trees of Pendle Hill (Quaker study center in Pennsylvania.)
Info: 802 387 4820, Alans@sover.net
www.brattleboroclayworks.com/members/AlanSteinberg
Join Theatre Without Borders and OBIE-winning La MaMa ETC. in a groundbreaking conference celebrating five years of intensive international collaboration and discussion on theater and peace-building by Theatre Without Borders and the Coexistance Program at Brandeis University. The conference will take place September 23–26 in New York City. For more information, visit the Theatre Without Borders website.
Click on the links before for more information.
The National Book Festival Celebrates a Decade of Words and Wonder
The 10th annual National Book Festival, organized and sponsored by the Library of Congress, will be held on Saturday, Sept. 25, 2010, on the National Mall in Washington, D.C., between 3rd and 7th streets from 10 a.m. to 5:30 p.m. The festival, a celebration of the joy of reading for all ages, is free and open to the public. Many of the nation’s best-known authors and illustrators participate in the National Book Festival.
Vermont nonprofits have been very clear about their desire for leadership training that helps them steer their organization through these challenging times and raise the resources they need to do the job. Starting in September, join your colleagues for a new series of in-person and online training opportunities with nationally recognized nonprofit consultants. Sign up today (and spread the word to your board and colleagues) for these affordable, timely seminars that help you brush up your skills and expand opportunities for your organizations:
- Leadership in a Connected Age with Steve Shepard (9/13 in Burlington VT and Webcast)
- The Why and How of Giving and Raising Money with Christine Graham (9/24 in Morrisville VT).
- Managing Board Chair and Exec Director Relationships with Lizann Peyton (10/5 at Vermont Interactive TV Locations: Bennington, Brattleboro Johnson, Montpelier, Newport, Rutland, and Williston).
- Media Maven: Organizing with Mobile Action: Best Practices & How To (10/21 in Burlington VT and Webcast).
- Getting Your Board to Raise Money: Plan B (and C and D and…) with Andy Robinson (10/28 Online Webinar)
- Learn How We Learn: Effective On-the-Job Training Skills with Kat Morgan (11/11 Online Webinar)
- Media Maven: Lessons from the 2010 Election (11/18 in Burlington VT and Webcast)
- Leadership for Small and Medium Organizations in Tough Times with John Brothers (11/22 in Burlington VT and Webcast)
- Media Maven: Social Media Trends for 2011 (12/9 in Burlington VT and Webcast)
- The Art of the Ask with Michael Luck (12/16 in Burlington VT and Webcast)
Registration is open for the 2010 Board Development Seminar for Not-for-Profit Arts Organizations!
October 3-5, 2010
Now in its sixth year, this popular intensive provides practical tools for board leadership at all stages of organizational development. Led by Kennedy Center President Michael M. Kaiser and other senior staff, the seminar covers topics of key concern, including:
• Building Institutional Identity
• Strategic Planning
• Fundraising
• Not-for-Profit Financial Analysis
• Effective Marketing
• Hiring an Executive Director
• Board Recruitment and Management
The seminar is open to current and prospective board members of arts organizations worldwide.
The participation fee of $150 per person includes all sessions, dinner with keynote address by Michael M. Kaiser, three additional meals, and materials. Transportation and hotel are not included, but group rates are available. The seminar begins at 2 p.m. on October 3 and ends at noon on October 5.
Registration deadline: September 10, 2010
The seminar commonly sells out, so please register early.
For complete information and to register, please visit our website
With questions, please email the DeVos Institute of Arts Management
Alliance of Artists Communities 20th Annual Conference!
October 20-23, 2010 in Providence
Providence offers the perfect backdrop for a conference that explores boldness and abundance in advancing today’s artists, including new opportunities for greater participation and responsiveness to artists’ needs, creative partnerships in business and philanthropy, and an abundance of small initiatives with deep impact.
Join arts leaders, artists, funders, politicians, board members, educators, and more from around the country and across the globe and explore Providence – the arts, the food, the neighborhoods, the history, and the people. All are welcome!
- Topic: The Why and How of Giving and Raising Money
- Date: Friday, September 24
- Location: River Arts Vermont, 74 Pleasant Street in Morrisville
Join us in Morrisville on Friday, September 24th from 10 a.m. to 1 p.m. for a valuable networking opportunity with your peers, an update on Common Good Vermont PLUS a special capacity buildiing workshop on fudraising with leading nonprofit development guide, Christine Graham. REGISTER TODAY!
The greatest opportunity for fundraising is always from individuals, who can make their decisions in a personal and immediate way. This workshop will explore the motivations of donors, the why of giving, in a time when increased systems and technology tends to make many fundraising methods feel impersonal and demanding, and when a changing economy makes people think about their giving in different ways. This will be balanced with an overview of the traditional gift pyramid approach, understanding the methods that work best for each level of giving, and ways to encourage donors to give more.
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Volunteers Needed
Other Resources & Articles
Nonprofit Boards
8/11/2010 CORKS NEEDED: I'm in need of corks for a site-specific installation for "SculptFest10" at the Carving Studio & Sculpture Center. Any type of corks: from wine or champagne bottles, old corkboard, or any other corks you would like to recycle. Please send to marisa dipaola, 124 ox cart road, vernon, vermont 05354. Thanks so much!
8/10/2010 ARTISTS' YARD SALE AUGUST 26-28: Creative Space Gallery, 235 Main St, Vergennes, VT - Our artists are cleaning out their studios and you can get some great deals! We'll have original artwork/crafts, prints, art & craft supplies, and art books for sale at great prices. Sale will run for 3 days (8/26 from 4-7pm; 8/27 from 2-7pm & 8/28 from 10am-6pm). Sales benefit the artists & the Gallery. Have some items you might like to donate to the sale? e-mail or call 802-877-3850 for more information.
6/30/2010 AVAILABLE: ProPanel Booth System for sale, oatmeal, includes 10 - 30"wide panels, 8 ft high (breaks down to 2 4-ft high panels), some with shelf inserts, desk & 2 pedestals. All hardware included. $2000
Interlocking drain tile floor system for booth. 10' x 10'. $240
Booth low voltage lighting system. $350
Please Sandy via email or at 899-3764 for details.
6/16/2010 AVAILABLE: Over 200 Hand picked ceramic molds for sale. Classic dinner plates, mugs, vases, creamers...Retro platters, vintage planters, characters, Leaf bowls, game boards, pitchers... you won't be disappointed. Can't imagine what they are worth... I paid around$1200 at auction. Asking $650 - must pick up, near Montpelier (maybe two truck/SUV loads). Email Chris for more information.
FREE! The Vermont Arts Council has copies of Fahrenheit 451 (full text), in addition to readers guides and audio guides. If you would like one or more copies of any of these materials, please contact Lindsey Carlson.
6/4/2010 - Large art studio for rent in North Bennington. Former gallery/studio of noted color field artist. 85' x 26' floor space, 12' high wall spaces with hanging rail, 15' x 10' windows on north and south ends, full array of lights, 17' ceilings, full bathroom with stall shower, kitchen. Heated. Half of space can be rented. Available after September 2010. Contact Bob at 802-447-3434.
3/24/2010 - Shelburne Pond Artist Colony...Very affordable, large studio spaces available begging April 2010. Spectacular and inspriational rural setting but close to Burlington. For more information contact Katharine Stockman at 802.999.4394.
Click here to download an excel spreadsheet of Vermont media contacts. Online...5 items for measuring social media: Trying to enumerate all the social networking possibilities can become pretty useless in a hurry. As soon as somebody identifies one social media venue, or method, something new will pop up.
Still, social media offers nonprofits limitless possibilities to raise the awareness level of both the organization and the cause and to fundraise.
Speaking during the 47th annual Association of Fundraising Professionals’ international conference, James Young of Convio, Ken Cho of Social Agency and Carie Lewis of the Humane Society of the United States said that incorporating social media into an organization's operations requires not only good planning also but a way of measuring success. Just as organizations must be able to measure how well a fund drive or other project has succeeded, they must be able to do the same with social media.
They suggested the following in regard to measuring success:
- Define your metrics. Which measurements mean success? Will it be in money only, or something like number of visits?
- Establish your baseline. Where are you now?
- Set your schedule. When are the right moments to measure?
- Don’t forget feedback. What about qualitative data? Metrics will show you trends, and feedback will tell you why the trends happen. Mid-stream changes based on feedback can have a positive impact.
- Grab your toolbox. Many of the measuring tools are also online.
Technology...A best practices checklist for software selection: When nonprofits are considering purchasing new software, the process can often be stressful and complicated. Managers responsible for the decisions should first identify software vendors at major tradeshows and go through their peer-to-peer networks for technology recommendations, according to Bob Alves, chairman and CEO of Advanced Solutions International (ASI).
Once a few software options have been selected, discovery sessions and overview demonstrations can help them determine if the technologies identified address specific needs. Each department should discuss two or three items that are most important to them, to select which vendor is the best fit, according to Alves.
While there will be obstacles for organizations to overcome, such as staff issues, lack of comfort with technology purchases, board mandates and lack of time, these issues can be resolved. It is important to bear in mind that choosing nonprofit technology is a business decision, which will benefit organizations’ causes in the long run. Although the process might be time consuming, it will take even more money and resources to repeat the process if nonprofits are not satisfied with their first choices.
It’s important to build a strategic plan with financials in place that suggests the scope of the software nonprofits really need to support their operational objectives, according to Alves. Managers need to define what the staff needs to accomplish to reach those goals.
Ask questions. Does the team need a more efficient way to reach prospective members? Will an events management tool help the organization launch events? Assigning each of these strategic functions a representative metric will be helpful throughout the decision process, he said.
Before starting the selection process, ask the various departments for their feedback. Assign a champion in each department who will be tasked with keeping the project on track. The champions will help refine the strategic vision and streamline the software conversion and implementation. Brief each champion on the organization’s operational objectives, and ask the person to brainstorm regarding what the departments need to reach their respective goals.
This information will help nonprofit managers decide which solution is needed. Staff will also feel more involved in the organization and accept responsibility for their pieces of the project, according to Alves.
When evaluating the software options, Gartner’s Project Decision and Evaluation Criteria suggests looking at the strength of the vendor, its support capabilities, relevant experience and references, product functionality, implementation track record and technology price. There are also several questions to ask vendors’ customers, to help with the software selection process. These include the number of staff and users in the organization, how the vendor approached the implementation, if it was on time and fell within budget, and if the process met their expectations.
It will be helpful to know how much customization was required, how the training was handled, what the support was like and if they have up-to-date manuals for all of their modules.
If a nonprofit chooses to make the selection independently, there are a number of benefits, such as no added expenses or delays. Nonprofits should develop mechanisms for a successful implementation, and acquire the organizational skills needed to handle sophisticated information technology for any future purchases.
The people within nonprofits know its operations better than anyone else and fully understand the technology needs. When selecting software, managers should engage with vendors, to determine fit and feasibility of the product and the competence of the people behind it. Following these best practices, will provide an opportunity to refine business practices with real, live software, while presenting boards with precise costs and timelines.
Online Social Networks, CyberRisk and Your Nonprofit: What You Need to Know, by Jeffrey S. Tenenbaum, Esq. and A.J. Zottola, Esq.
Free Service Keeps Your Website Healthy: At the RSA Security Conference today Qualys announced a new free service for small web sites. Now in beta, QualysGuard Malware Detection scans any web site for malware and reports in detail when any threats are found. If your family or small business web site gets hacked Qualys will sound the alarm.
Technology information from State Arts Advocacy Network:
TECHNOLOGY...5 GOOD SOURCES FOR TECH BENCHMARKING: There is a saying that “The more you learn, the less you know,” but in the nonprofit sector it can be helpful to learn and know a lot.
In a chapter titled “Where Are Your Stakeholders, and What Are The Doing Online?,” appearing in the book “Managing Technology to Meet Your Mission” that is published by the Nonprofit Technology Network (NTEN), Michael Cervino mentions the importance of benchmarking to stay abreast of nonprofit sector and Internet industry trends.
He lists several reliable sources for benchmarking studies.
- NTEN. Stays current on reputable studies and is working to increase the frequency and visibility of research.
- Other associations. Consistent publishers and promoters of relevant research include organizations like the American Marketing Association, the Direct Marketing Association and ASAE.
- RSS Searches. By configuring a Google RSS search feed for nonprofit research and white papers, you can surface consultants’ white papers, vendors’ reports and other contributors’ analysis data. Do the same on a Technorati to monitor the blogs of nonprofit thought leaders.
- Pew Internet & American Life Project. Found at www.pewinternet.org, this project of the Pew Charitable Trust regularly publishes reports on online behavior and technology adoption.
- Applicable commercial sites. There is a proliferation of sites one could follow for online trends in user behavior.
TECHNOLOGY...GETTING YOUR RETURN ON INVESTMENT: As interest in nonprofit mergers grows, so do the myths surrounding them. Streetsmart nonprofit manager columnist Thomas McLaughlin reminds organizations that these shaky economic times provide a good time to examine some of the more persistent ideas about mergers within the sector.
The economy also provides for an increase in mergers. Although it is logical to associate the increase in mergers with an economic downturn, the fact is that nonprofit resources are often locked in outdated corporate structures and aging program models. While the downturn is making mergers seem like a logical choice, it is only a catalyzing agent for trends that were already underway.
- We’ll save administrative costs. It is possible, but not always. It’s better to have a lofty strategic goal and be realistic about administrative savings.
- There will be massive job cuts. This is largely a carry over from mergers in the for-profit sector. There might be incidental job losses, but any major level of job loss that occurs during a nonprofit merger was likely to happen anyway. A merger could actually reduce the amount of those job losses if it promotes more efficient service delivery models.
- We’ll lose our identity. For practical purposes, “identity” means “brand,” and managing a brand is one of the things that the nonprofit sector is just beginning to master. The decision to merge corporate structures is not the same thing as the decision to merge brands.
- Let’s figure out the structure first. Form should follow function. Decide what you want to accomplish and be clear about your shared desires and assessments of the merger.
- Shhhh. Don’t tell anyone. In the case of for-profit mergers, secrecy is necessary, but not so for nonprofit mergers. It is best for nonprofit mergers to be decided from the top down and implemented from the bottom up.
- Only failing organizations merge. The first wave of mergers in a given area tends to be stronger organizations taking over weaker ones. The most constructive use of a merger is not to rescue an organization, but to strengthen community capacity by building nonprofit organizational strength.
Mergers are just another leadership tool. It is time to lighten the baggage of mythology and move forward despite economic struggles.
4 IDEAS FOR IMPROVING YOUR SEARCH RANKING: Google has become so popular that the company has become a verb. You don’t conduct an online search, you Google a term.
And where your organization pops up on the search engine giant could make or break the number of your page views. With that in mind, it might be time to pay more attention to your search rankings.
Michael DelChiaro, president of My1Stop, a printing company based in Fort Scott, Kan, discussed leveraging analytics to guide your online marketing strategy at the Direct Marketing Association (DMA) Conference and Exhibition in San Diego, Calif.
Here are some tips:
- Sponsored search. Search engines, such as Google, have two types of search terms that pop up -- paid search and organic. You can pay for sponsored searches, which are usually on the right-hand column on the search results page and at the very top of the search results. Organic terms come up based on page ranking.
- Focus on organic. My1Stop wanted to increase organic positions but faced limited content in a highly competitive industry. Your nonprofit might face the same problem. How many search results come up when searching for your mission instead of your proper name? Pay attention of where you land in the mass of search terms.
- Keeping up with the statistics. Google Analytics is a free program that allows you to track your Web site traffic. Run a non-paid keyword search report to see what search terms translate to the most hits on your site.
- Use what you learned. Take what you learned in the keywords report to integrate in your new content. You can also integrate these keywords into your meta tags in the HTML coding to your Web site, which will increase your search results.
57 CHANNELS AND NOTHIN' ON: Direct mail or email. Direct response television or YouTube. Twitter or Facebook. The number of channels to reach donors is growing, but it’s still all about clear communication, according to Geoff Peters, president and CEO of CDR Fundraising Group in Bowie, Md.
Peters talked about multi-channel fundraising, from snail mail to PURLs (personalized URLs), during the recent National Catholic Development Conference in Arlington, Va.
The sheer volume of channels available might scare off some people, but using these channels strategically could end up helping your organization’s communication efforts, according to Peters.
Here are his thoughts:
- It’s about the math. Integrating communications across multiple channels should work positively, increasing your donor numbers. You aren’t subtracting anything – so you only have room to gain.
- One size does not fit all. People respond differently to various channels. The person who may answer your email campaign might never respond to your Facebook account or your direct mail.
- Small organizations have an advantage online. Social networks and email campaigns can be implemented with little or no cost. But these channels still require time, especially social networks that need time dedicated to building relationships.
- Direct mail is not dead. People have bemoaned the death of direct mail since the Internet took off. Peters reminded that people said the same thing about the fax machine taking over for direct mail – and look how that turned out. The average nonprofit makes 5 percent of their revenue online, which has increased substantially in the last 10 years but still doesn’t beat the donation juggernaut of direct mail at most organizations.
- Have one hand help the other. If you are looking to grow your email list, look no further than your direct mail house file. These names represent people who love your organization. Try an email append to get their email and build another relationship online.
- Integrate across channels. Keep your branding consistent with all channels so you don’t confuse the donor. If you send out a direct mail piece about puppy mills, don’t make dog fighting the prominent theme in your telemarketing follow-ups or email. Stick with one issue at a time and see if you can segment donors by their responses.
- Each organization is different. Ask yourself what is the return on investment for anything that you do and make sure it works for the organization. Test everything so you know exactly how the communication integration works.
TECHNOLOGY CONVERSATION WITHOUT THE HEARTACHE: In the movie “Desk Set,” the employees in an information reference office headed by Katherine Hepburn felt threatened when Spencer Tracy was brought in to computerize the department. Kate's girls, thinking they were going to lose their jobs, resisted the new approach, and Spencer couldn't understand their lack of cooperation. In the end, humans and computers learned to work together and everyone was happy. Kate and Spencer even fell in love.
It makes a good movie scenario, but in fact, introducing new or updated technology can ruffle feathers in any organization. To read the complete article click here.
FIVE [MORE] FUN AND FABULOUS TWITTER TOOLS FOR NONPROFITS:
1. Trottr - The site allows you to record brief audio messages with your cell phone that are then hosted on the Trottr website. After you record the message, you are given a URL for the message that you can post on Twitter, Facebook, MySpace, etc. All future Trottr messages are then hosted on your organization's own Trotter profile.
2. @2gov - This new tool is a great way to launch advocacy campaigns on Twitter. Simply include @2gov in Tweets related to advocacy and it will automatically indentify specific representatives and sends them Tweet reports.
3. Qui.tw - The service allows you to pin point a location on a world map and generates a short URL that you can use on social networking sites and online invitations to designate a specific place.
4. 12seconds - The site allows users to easily record videos with your laptop camera or cell phone, which you then upload to the 12seconds video channel.
5. TwitCause - TwitCause recently expanded to over 130,000 users in less than a month. The process for an organization begins by nominating your organization as a Cause and then promoting it through a series of votes. Nonprofits that win the battle are given primary placement on the TwitCause homepage with links to their donation pages.
TECH SOUP DISCOUNTS: If you or your member groups are registered as 501(c)3 organizations with the Internal Revenue Service, TechSoup Stock may be able to offer you reduced-price computer equipment through its Refurbished Computer Initiative Program.
TechSoup Stock offers only high-quality computers formerly used by large corporations. These are machines that are typically phased out after two to three years of use and are in very good condition. Each one is loaded with a new operating system and comes with a 90-day swap warranty.
The group's donor partners donate their used computers, which are then refurbished by refurbisher partners. The refurbisher partners also acquire computers from their own sources, and TechSoup Stock distributes all of them to qualified nonprofits for a low administrative fee currently ranging from $146 to $308 for a laptop computer.
Not only can organizations save money, but it can also help them become a little bit more green, too!
FIVE WAYS TO FIND NEW CONSTITUENTS ONLINE: Is your neck stiff from staring too long at the same source of constituents? The cure is to stretch and strengthen your skills for finding new online destinations related to your cause. Such Web sites and communities can be great sources of new constituents if targeted with tailored marketing.
- Look behind you. Your Web traffic statistics report what Web sites your visitors were on before they came to yours. Look beyond the top 10. The next 11 to 200 might be richer sources.
- Look under. Dig deeper into those statistics. What keywords are used to find you? What other places do you find when you search those words?
- Look left, then right. Use Google’s “linkto:” search and see who links to you. Then use this search on each of the resulting sites. Who is linking to these places that should be talking about and linking to you?
- Look up. Search beyond your lexicon. There are conversations about what you care about that may be using a different set of terms. Get involved in those dialogues.
- Look ahead. Schedule time every month to exercise your “looking” muscles.
And every so often, remember to reach around and pat yourself on the back for your progress.
INDEPENDENT SECTOR RELEASES FREE WORKBOOK FOR GOVERNANCE, ETHICS: Independent Sector has released a new tool to help nonprofits, foundations, and corporate philanthropy programs examine and improve their governance practices. The Principles Workbook: Steering Your Board Toward Good Governance and Ethical Practice is designed to help the nonprofit community meet its commitment to upholding the highest standards of accountability, and do so in a cost-effective way.
Independent Sector developed the Workbook in partnership with BoardSource, both in Washington, D.C., to expand and elucidate the Principles for Good Governance and Ethical Practice: A Guide for Charities and Foundations. The principles, which were developed by the Panel on the Nonprofit Sector in 2007, provide a list of 33 recommendations that organizations can use to analyze their practices. The Panel has been dedicated to finding ways to strengthen governance, transparency, and ethical standards at nonprofits and foundations since it was convened by Independent Sector in October 2004.
The Panel on the Nonprofit Sector initially brought together leaders from across the nonprofit community in order to develop more than 150 thoughtful recommendations, contained in its Final and Supplemental Reports, for improving government oversight and strengthening practices at organizations of all sizes and missions. It then focused on how the nonprofit community could advance the state of governance and self-regulation in its organizations, a process that led to the creation of the principles.
Download the workbook here for free.
DO YOU HAVE YOUR STOP-WATCH HANDY?: Some studies show you have less than one minute to convince an online reader that your piece is worth reading, according to Roger Burks, senior writer at Portland-Ore.-based Mercy Corps.
So you need an online story that can create a strong emotional connection as quickly as possible, according to Burks during NTEN’s 2009 Nonprofit Technology Conference.
Here are some questions to ask while creating a story:
- Is this a story that I want to tell? Can you remember details without looking at your notes? Is this a story you would tell your friends? If you don’t have a passion for the story, it will show when someone reads it.
- Does the story have a heartbeat? Most stories need a human focus to breathe life into the text. Readers want to have someone they can cheer for in the story.
- Is the story transformative? Your sixth-grade English teacher was right -- you need an introduction, conflict and resolution to make a good story. Make sure your character’s challenges are clear. And if there isn’t a happy ending don’t sugar coat it, according to Burks. It might spur-on your readers to take further action.
- Does it sound like my organization? Understand your audience and what they are looking for. Make sure the story’s tone fits with your organization. For example, Burks said Mercy Corps never uses the word “victim” in a story; instead, they use the word “survivor.”
- Does it have an expiration date? Are there parts of the story that will lose urgency as time goes on?
- Will it make the reader want to do something? Creating an inspirational story is tough enough. But remember to include a call-to-action after the story so your motivated readers can take part in the organization.
FREE COMPLETE TOOLKIT FOR BOARDS: Authenticity Consulting, LLC created a website called the Free Management Library, which offers a Free Complete Toolkit for Boards. The toolkit breaks down information into two main categories—board operations and board governance.
Under the operations category, you can find information ranging from tips on staffing the board, training, committee structures, and best practices for ensuring productive meetings. Under board governance, you can find links to financial planning resources, fundraising, strategic planning, capacity building, and organizational change.
Although every board culture is different, this website can lead you in the right direction on almost any topic related to dealings with the stewards of your organization.
OBJECTIONS TO SOCIAL MEDIA - QUASHED!: Here are five answers to the naysayers in your organization who say you can't (or shouldn't) raise your profile through social media. Read more.
TEN COMMON WEBSITE BRANDING MISTAKES: Pitfalls to avoid when building your online brand In my job I have the wonderful opportunity to see many of the great things small businesses are doing online. I also have the opportunity to see, and learn from, what hasn't worked for some of our small business customers. Here's my own Top 10 list of small business website pitfalls...Read more.
EMAIL DESIGN NO-NO'S GUIDE FOR NON-DESIGNERS: How do you make your email marketing stand out in an Inbox full of competing messages? Even the savviest of marketing professionals asks themselves this question. And while a great subject line and offer certainly broadens the appeal of your email, design plays a critical role as well. But the quirks and limitations of email mean that sometimes a beautiful visual design can work against your objective. Click here to download the article.
BROADWAY GOES GREEN: One excellent example of promoting the greening of an arts group comes from the Broadway Goes Green program. The website for the endeavor highlights current best practices, features an archive for the campaign's newsletters, provides a forum for shared ideas, and additional links and resources for organizations to use. Working with greenNYC, they even produced a flyer that gives patrons "Ten Things You Can Do to Protect the Earth" including using environmentally-friendly cleaning products, using public transportation or carpools to get to the venue, and changing the three most-used bulbs in your house to flourescents.
In addition, they also highlight their own work by posting press releases and any press coverage the campaign or the individual theaters have received, keeping that green message alive for those outside of the Broadway scene.
BUILDING AND CULTIVATING YOUR EMAIL LIST: Your email list (also known as your email housefile) is one of your organization’s most important assets because it enables you to reach out to your constituents online in a timely, efficient, and cost-effective way. As a critical component of your organization’s success, your email housefile needs to be built and cultivated on an ongoing basis. Click here to read the rest of this article.
TECHSOUP SOFTWARE DONATIONS: Nonprofit TechSoup.org offers software donations to nonprofits from 35 major technology providers, including Microsoft, Cisco, Symantec, Intuit, and Adobe (for an administrative fee as little as 5% of retail cost). To qualify, organizations must be a 501(c)3 or a library. Their Refurbished Computer Initiative gives nonprofits a chance to get low-cost, high-quality computers with a new operating system and up-to-date software (covered by a 90-day warranty). To learn more about the program, contact Glenn Hirsch at 415-633-9403.
GOOGLE DATA SEARCH: Google's data search gives users the ability to create and customize an interactive graph to help you visualize data, and easily share your graph with others. So far, the public data search feature only applies if you are looking for population or unemployment data for U.S. states or counties, but that is a tool that could prove to be useful in your "arts = jobs" advocacy efforts. More data to map or graph will be released soon.
DEEPDYVE RESEARCH ENGINE: DeepDyve is a specialized search tool for finding "high quality information from trusted sources" in databases, documents, journals, and subscriber-only archives that are not normally indexed by conventional search engines. It allows users to copy and paste entire sentences, paragraphs, or articles that it will use to comb the internet for information.
6 TIPS TO MAKE YOUR EMAIL SOCIAL: Email by itself is kind of like… a one legged stool. It can’t stand on its own. To be effective and useful, combine email marketing with search, social marketing and blogging. Most Business-to-Business (B2B) marketers are still trying to figure our how to apply social marketing techniques to their business. Here are 5 tips to get started. We’ll dive into more detail on each of these in coming weeks. Best tip? Just start! Don’t worry if you don’t have a ton of content for a blog, or bzillions of prospective subscribers. Read more. WEB & GRAPHIC DESIGN: As a woman-owned Vermont business and a masters degree in fine art, I offer terrific website and graphic design to showcase your portfolio and profession as an artist. Visit my website to see work I've done for other artists.
WEB DESIGN: hand-crafted websites with clean image slideshows, expert image editing as needed, content you can edit, search engine optimization, hosting package.
GRAPHIC DESIGN: Brochures, biz cards, postcards, letterhead, etc.
I keep to your budget and keep my rates lower than most.
Anne McKinsey, PO Box 92, Passumpsic, VT 05861 | 802-748-3322
NEW COOPERATIVE GALLERY SEEKS MEMBERS: Grand Isle Art Works: A Vermont Artisan Gallery will open July 10 in the Lake Champlain Islands. The gallery is cooperatively owned and operated by local and regional Vermont artists and artisans. Membership Requires juried admission and Vermont residency.
The cooperative welcomes new applicants. For more information and a membership application packet, please contact the cooperative by email at info@grandisleartworks.com.
GRAPHIC DESIGNERS: Two experienced, degreed Graphic Designers looking for freelance or contract work in Vermont. We have our own full-service studio, complete with the latest Adobe and Quark software, 20 years experience each, outstanding creativity and attention to detail. Visit our website to get an idea of the work we used to do in Connecticut, before we moved to this wonderful place! Or, you can contact Lisa Burr at 802-485-4321.
LOGOSFLUX LLC: EMPOWERING ARTISTS AND ORGANIZATIONS TO SUCCEED: LogosFlux can help you energize, focus and get results. Curator, writer, fund-raiser and artist with 30 years successful experience is available to work with you to actualize your vision, set reachable goals, and achieve your highest aspirations. Identify and obtain fellowships, residencies, exhibitions and jobs. Develop websites, marketing materials and strategies that get results quickly. LogosFlux is unique in its combination of creative mentoring with pragmatic know-with-all. Don't hesitate, take charge of your future. Contact christine@logosflux.com for a complimentary consultation. www.logosflux.com
CANVAS STRETCHER FRAMES: custom made, any size, any quantity, by a local Vermont artist. I have been making these frames for schools and professional artists for 5 years. They are a great alternative to typical stretcher bars: Economical, strong, stable, and fully assembled. Save on bulk quantities. Professional delivery service available | www.CanvasStretcherFrames.com
A New Electronic Venue for Vermont Artists to Stay Connected: In what's a remarkable example of a collaborative volunteer initiative, artists Marc Awodey and Janet Van Fleet, have teamed up to create the "Vermont Art Zine." It is a blog aimed to host "Vermont visual arts reviews, essays, and resources." Check it out! It already is filled with lots of great content. To this effect, the blog's creators write: "to provide a "commons" site for the visual arts. We feel that Vermont needs more visual arts writing, and on a state-wide basis!" Visit the blog.
The Vermont Campaign for Health Care Security is a non profit organization. Our goal is to educate Vermonters about eligibility and options through the Green Mountain Care programs. We have implemented an outreach project, the first in the nation, to help enroll Vermonters in these programs (Catamount Health, VHAP, and Dr. Dynasuar). If you are interested in learning more about these programs please contact our helpline: (866) 482-4723 or go to our web site: www.catamounthealth.org. Remember---don't assume you are not eligible for these programs. Please call (866) 482-4723 to discuss your specific situation with our organization.
Available for wrting projects -- short, medium, long-term -- any interesting project considered, price negotiable. Experience includes writing grants, TV, radio, news articles, op eds, features, magazine pieces, ads, PSAs, proposals, satire, court decisions and dissents. Happy to work collaboratively or on assignment. William Boardman: 802-457-1782.
Bring vibrant color and sophisticated style to all your traveling presentations, commercial displays, arts and sporting events with Ripstyle custom-crafted appliqued banners! Contact Jan for more information.
Ceil Petrucelli Interiors is a full service interior design and decorating firm established in November, 2002, and located in historic Bennington, Vermont. Our goal is to assist you in creating a home that is a reflection of your own personal tastes and lifestyle. As a special offer thru June 30 for new clients - hire Ceil for any work by June 30th and a donation gets made in your honor to VT Arts Council. Contact them today! YOUTUBE VIDEO VOLUNTEERS: This new program allows nonprofit organizations to post video volunteer opportunities on one of the three sites including idealist.org, serve.org and Volunteer Match using the words “video volunteer” in postings. In turn, the opportunities for video help will automatically show up in the All for Good feed on YouTube’s Video Volunteers page, in an effort to All for Good’s mission of allowing citizens to take small actions to add up to a big difference a reality.
Find Out More! Tell Your Story With Simple Tools: Content is king these days and keeping up with a 24-hour news cycle is no easy task for nonprofits of any size. Enter viral video -- a quick and easy tactic to employ to get your organization on the map and keep it there.
During the 2010 National Conference on Volunteering and Service in New York City, Laura Norvig, resource specialist for the Corporation for National and Community Service in Washington, D.C., and Michael Hoffman, CEO of See3 Communications in Chicago, Ill., presented the session “Mission Video Storytelling,” and explained just how easy it is to keep content new and fresh on a budget.
Going viral is easier than many organizations might believe, with technology getting simpler by the minute. Hoffman said the primary way to ensure a video is well received is to make sure it is culturally relevant.
“Right now, everyone is talking about the oil spill,” he said. “So if I’m talking about something else, it is not going to go into their minds. Connect the video to what people are interested in, and place it in front of the right influencers.”
Getting the job done is easy too, by shooting a lot of footage and even holding onto extra footage that can be repurposed if your organization chooses to hire a company to create a video. Taking footage at events is always worthwhile because many people are in one place and the backdrop is lively, he said. This can also include B-roll footage, which is scenery or background footage that plays while the subject speaks but is not on screen. Read the full article.
THE NONPROFIT SOCIAL MEDIA DECISION GUIDE: After almost a year of preparation, and six months of research, it's finally here! Idealware's free Nonprofit Social Media Decision Guide walks you through a step-by-step process to decide what social media channels make sense for your organization via a workbook, guide, and the results of more than six months of research. And through the included Consultant Directory, you can find a professional to help define and implement your strategy.
Created in partnership with the New Organizing Institute, and with the support of Trellon, The Decision Guide focuses on the tangible results that nonprofits are seeing from Facebook, Twitter, Blogs, Photo Sharing Sites, Video Sharing Sites and other social media channels, and helps you to decide how they fit within your own communication mix.
View the report (free registration required)
The State Department's Foreign Service Institute has posted all its language courses online. Click here for a complete listing.
READINESS PLANNING FOR ORGANIZATIONS: Readiness planning can be easier than you think. What’s important is to take the first step – determine what’s most important for your organization to protect, back-up and be prepared for. Browse these resources and sample plans to identify steps you can take today to Be ArtsReady.
VERMONT LITERARY REVIEW: Support the written arts in Vermont as well as the visual arts. Copies of the 2009 Vermont Literary Review are available for only $8--shipping included. VLR publishes work about New England or by New England authors and includes poetry, fiction, and essays. Copies are available from: Flo Keyes, editor, Vermont Literary Review, Castleton State College, 6 Alumni Drive, Castleton, VT 05735. The 2010 edition will be available in August.
Additional information is available on our weblink on the Castleton State College webpage.
WATCH THIS: SOCIAL MEDIA & SOCIAL NETWORKING BEST PRACTICES - Panel Discussion Moderated by Nick Carter with Drew Hudson of We Also Herd Cats Consulting, Val Vass of Planned Parenthood of Northern New England, Carmen George of Good News Garage, and Joe Soloman of the Vermont Workers Center. Watch it here.
10 BIG MYTHS ABOUT COPYRIGHT EXPLAINED - Note that this is an essay about copyright myths. It assumes you know at least what copyright is -- basically the legal exclusive right of the author of a creative work to control the copying of that work. If you didn't know that, check out my own brief introduction to copyright for more information. Feel free to link to this document, no need to ask me. Really, NO need to ask. Click here to read the rest of this article.
NONPROFIT VIDEO - 9 STEPS TO SUCCESS: In the age of YouTube, everyone knows there’s nothing like great video to grab someone’s attention. In the past two years, we’ve seen more and more for-profit and nonprofit organizations putting online video to work to reach out and engage their networks to build loyalty and motivate action.
So I thought I should put together a list of key things to think about, if you are considering a video production. I’m putting this together for our clients, but I think it can be useful for anyone thinking about making a video. The more you consider these issues before beginning, the smoother your project will advance. Click here to read the rest of this article.
GRANTS...8 DETAILS OF A GRANT PROPOSAL'S BUDGET: One of the crucial factors in a grant proposal can be the budget. This can be a crucial factor when those who disperse the money have to make a hard decision.
In her book “How To Say It: Grant Writing” Deborah S. Koch offers advice on what grant proposal budgets should be.
- Transparent. There should be no mysteries about what each activity will cost or what each figure represents.
- Clear. The reader should be able to find information easily and understand what he or she is seeing.
- Detailed. Apply the assume-nothing rule to budgets and budget narratives. Explain the basis for determining the cost for each lien item.
- Concise. While you need enough detail to explain everything so as to be understood, you do not need to explain down to every last paper clip.
- Complete. Show all sources of income for the project and all expenditures, expressed in broad terms, for the budget.
- Reasonable. Do not ask for money for something that is not essential to the project, but neither should you short-change yourself.
- Realistic. Likewise, if you under budget, you might be seen as inexperienced, as not understanding the true costs of things or how long a task might take.
- Documentable. For every cost you claim, you should be able to prove that it is the true cost.
VERMONT COMMUNITY FOUNDATION WORKSHOP: Christopher Kaufman-Ilstrup of the Vermont Community Foundation explains changes in the Foundation's Community Fund grant making, eligibility guidelines, and how to apply online for general operating support. Watch it online at your convenience!
NEW MUSIC EDUCATION ONLINE LEARNING COMMUNITY: The Choral Arts Society of Washington, D.C., has created an Online Learning Community for teachers and learners working to integrate music into a core curriculum, and membership is free. Click here for more information.
FUNDRAISING...YOU CAN'T MAKE A GOAL UNLESS YOU SET ONE: The recession has put many development professionals on edge, feeling helpless to change their current fundraising environment.
Instead of feeling paralyzed by circumstances, nonprofit professionals should hit the ground running, according to Margaret Cuccinello, planned giving and major gifts officer at the Province of St. Mary of the Capuchin Order in New York. Cuccinello gave some of her ready-to-use suggestions at the National Catholic Development Conference in Arlington, Va.
Here are some tips:
- Set goals. Establish some real goals your organization wants to accomplish every year. Don’t just think about the dollar amount to put on a thermometer cardboard cutout. Create some non-revenue specific goals, such as a 5 percent increase in volunteer hours.
- Enlist board and leadership. Don’t let your leadership and board members take a backseat in the organization. Find out where their influence and expertise would be most useful for the organization. See if board members or even the organization’s president will accompany a development officer to a major donor meeting.
- Create a gift acceptance policy. A policy could protect you, the organization and your donors. Think about the level of difficulty with each gift type, such as real estate or annuities. Decide if your organization can properly handle the gifts. Reevaluate the acceptance policy terms every six months to make sure you are on point with your gift direction.
- Know your prospects. Take a look at your marketing strategies for planned giving. Figure out which donors you need to speak with one-on-one and which donors can be cultivated even further through major or planned gifts. Cuccinello explained that with bequests, 97 percent of donors put a charity in their will because they were asked and had faith in the organization.
CREATIVE...5 TIPS FOR DEVELOPING MORE IDEAS: Do you have a great idea for your organization, but don’t know who to tell? Join the group. Creative ideas sometimes have no outlet in organizations, explained Joel Zimmerman, director of consulting services at CDR Fundraising Group in Bowie, Md.
Employees either don’t know where to go or are stopped in their tracks by what the organization has always done. Zimmerman explained that creativity could catapult innovation at the recent National Catholic Development Conference (NCDC) in Crystal City, Md. But first organizations have to encourage the creativity.
Here are some tips for your office:
- Create a positive environment. A constant storm cloud over the office can darken any positive ideas. Try to maintain an environment where ideas are encouraged and accepted by all your employees.
- Let go of bad attitudes. Don’t let your organization kill ideas before they are even mentioned. Sayings such as “we’ve always done it this way” or “we don’t have time now to try something new” are just rehearsed excuses used to squelch innovation.
- Tripped up by red tape. Zimmerman explained that too often policies and standards could constrict creativity. Your organization should rethink procedures if an idea requires a board vote or a process approval.
- Work on it. Your employees can be trained to think about creativity and innovation. It just takes encouragement and a little practice. Think about implementing a creativity workshop to persuade employees to bring their ideas to the table.
- Creativity free time. Develop some time to set aside for creativity. That doesn’t mean allow three hours in every workday for employees to sketch. Some people feel too stuck in job constrictions that they aren’t able to see the creative problem solving right in front of them. Allow for productive creativity by initiating cross-group interactions for a fresh set of eyes. Also, you should invite questions and allow anonymous inputs on creative ideas.
MARKETING...GOOGLE RANKING IS MORE IMPORTANT THAN CREDIT SCORES: Google has become so popular that the company has become a verb. You don’t conduct an online search, you Google a term.
And where your organization pops up on the search engine giant could make or break the number of your page views. With that in mind, it might be time to pay more attention to your search rankings.
Michael DelChiaro, president of My1Stop, a printing company based in Fort Scott, Kan, discussed leveraging analytics to guide your online marketing strategy at the Direct Marketing Association (DMA) Conference and Exhibition in San Diego, Calif.
Here are some tips:
- Sponsored search. Search engines, such as Google, have two kinds of search terms that pop up – paid search and organic. You can pay for sponsored searches, which are usually on the right-hand column on the search results page and at the very top of the search results. Organic terms come up based on page ranking.
- Focus on organic. My1Stop wanted to increase organic positions but faced limited content in a highly competitive industry. Your nonprofit may face the same problem. How many search results come up when searching for your mission instead of your proper name? Pay attention of where you land in the mass of search terms.
- Keeping up with the statistics. Google Analytics is a free program that allows you to track your Web site traffic. Run a non-paid keyword search report to see what search terms translate to the most hits on your site.
- Use what you learned. Take what you learned in the keywords report to integrate in your new content. You can also integrate these keywords into your meta tags in the HTML coding to your Web site, which will increase your search results.
BOARDS...9 MYTHS ABOUT MOST BOARDS: Assembling and keeping a great board is a challenge, but June Bradham, founder and president of consultant Corporate DevelopMint, has discovered nine myths that can hamper either the makeup or operations of a board. She presents those myths in her book "The Truth About What Nonprofit Boards Want" and follows with myth-busting truths.
- It’s the cause, not the company. Current board makeup is the number one reason a top-flight candidate will consider board service.
- A great board member is a great board member. Period. The board member who doesn't feel the cause passionately can't compete with one who does.
- The board alone is responsible for success or failure. Without a dedicated, smart, visible and vocal CEO, a board will not totally engage.
- CEO and board members are colleagues, nothing more. Engaged boards have an inspired CEO who forms a partnership with board members and demonstrates a passion for the mission.
- It’s about the work, not about the party. All work and no play makes Jack an unhappy board member.
- What the Executive Committee shares is its business. The chair and CEO must build trust with the entire board.
- Great board members = big check writers. That's all. Board giving is directly correlated to the board experience.
- No one cares about gift expectations two years out. Tell the board in advance what is expected all of it.
- Boards get a lot from training. Board members hate anything labeled "training".
CAUSE MARKETING...PARTNERSHIPS WITH BUSINESSES ARE STILL OUT THERE: Despite the country’s economic woes, many for-profit companies in the United States want to contribute to charitable causes. They just might have to find innovative ways of doing so.
Speaking during the Bridge to Integrated Marketing and Fundraising Conference in National Harbor, Md., over the summer, Laura Goodman, strategist and practice leader at Social Capital Partnerships, and Lynn Cronenberger, vice president of development at Reading is Fundamental, offered their views on how engaging corporate employees can be very helpful to an organization.
- Sponsorship gifts. Nonprofits should foster relationships with companies beyond sponsoring a golf tournament or other event.
- Employee mind-set changes. First a company will encourage event participation, such a walkathon. Then employees might want to volunteer.
- Cultivate those volunteers. Get them to become activists and donors to the organization, creating relationships separate from their workplace.
- Individual giving. According to Giving USA, giving by individuals makes up 75 percent of donations, compared to 5 percent for corporations. See that the power is in the people.
- Acquisition. Working with a company will give an organization access to people who might not have engaged with the organization on their own.
- Leverage the company’s money. See if the partnering company will make a match to encourage employees to give.
FUNDRAISING...YOU CAN'T MAKE A GOAL UNLESS YOU SET ONE: The recession has put many development professionals on edge, feeling helpless to change their current fundraising environment.
Instead of feeling paralyzed by circumstances, nonprofit professionals should hit the ground running, according to Margaret Cuccinello, planned giving and major gifts officer at the Province of St. Mary of the Capuchin Order in New York. Cuccinello gave some of her ready-to-use suggestions at the National Catholic Development Conference in Arlington, Va.
Here are some tips:
- Set goals. Establish some real goals your organization wants to accomplish every year. Don’t just think about a dollar amount to put on a thermometer cardboard cutout. Create some non-revenue specific goals, such as a 5 percent increase in volunteer hours.
- Enlist board and leadership. Don’t let your leadership and board members take a backseat in the organization. Find out where their influence and expertise would be most useful. See if board members or even the organization’s president will accompany a development officer to a major donor meeting.
- Create a gift acceptance policy. A policy could protect you, the organization and your donors. Think about the level of difficulty with each gift type, such as real estate or annuities. Decide if your organization can properly handle the gifts. Reevaluate the acceptance policy terms every six months to make sure you are on point with your gift direction.
- Know your prospects. Take a look at your marketing strategies for planned giving. Figure out which donors you need to speak with one-on-one and which donors can be cultivated even further through major or planned gifts. Cuccinello explained that with bequests, 97 percent of donors put a charity in their will because they were asked and had faith in the organization.
NAMP ON THE AIR: NAMP Radio, the signature podcast of ArtsMarketing.org, goes on air today. If you can’t get enough of arts marketing and fundraising, this podcast is for you. Each month, our team of panelists will discuss a particular issue in arts marketing and fundraising, and share their experienced tips and tactics for overcoming obstacles. The panelists are:
- Ron Evans of Groupofminds.com, an audience development specialist based in Sunnyvale, CA
- Matt Campbell of Stanford Lively Arts, who knows how to make marketing and fundraising work together, based in Stanford, CA
- Maris Smith of Situation Interactive, an interactive marketing maven based in New York, NY
These dynamic discussions are another way to catch up on marketing trends in the field. And they will be looking for your input as well! This month’s episode features guest host Steven Roth of The Pricing Institute. Steven talks about making measurement real, with easy ways to track results of your marketing efforts. After enjoying his podcast appearance, see him in person at the 2009 National Arts Marketing Project Conference! Find out more and subscribe to the podcast via iTunes/RSS here.
CRAFT EMERGENCY RELIEF FUND RELEASES THE STUDIO PROTECTOR: Craft Emergency Relief Fund’s (CERF) Studio Protector is an easy-to-use disaster readiness and response resource with checklists to help artists protect and save their art, workspace, and career in case of a disaster. CERF will celebrate the national release of the Studio Protector in New Orleans at the annual conference of the Alliance for Artists Communities in November. CERF staff members will lead a discussion with artists about how their post-Katrina experiences helped to inspire the creation of the Studio Protector, the first-ever disaster readiness and survival kit for artists. Visit the website to explore the project, learn more about disaster readiness, and purchase the kit.
3 LESSONS FOR HOOKING PEOPLE ONLINE WITH YOUR EMAIL: Every online communication you send out is a battle to keep people interested and encourage them to interact with your organization, whether it’s donating or signing up for a newsletter.
Brian Dill, director of public support for Earthjustice in Oakland, Calif., outlined three simple lessons that he has learned from the online trenches at NTEN’s Nonprofit Technology Conference:
- You can ask more often. Dill explained that nonprofits have to go beyond the general campaigns. Relevant and urgent campaigns can give you a reason to ask donors for a gift again. You could also include another ask in program updates, special times of the year that fit with your mission and any deadline reminders.
Subscribe to a few e-newsletters of peer organizations to see their frequency. And if an e-newsletter works, you might be able to send it again after a few days and still see comparable results to the first one.
- Engagement pays. Don’t just send supporters your annual report. Send them opportunities that will engage them with the organization. Engagement pieces, such as opinion polls, surveys and advocacy actions, can drive growth and push for conversion.
See if you can segment your engaged population by what they have responded to before and send them targeted asks based on that information.
- Test, test and then test again. Before you test your email campaigns or e-newsletters, ask yourself what you hope to learn from the test. Think about how you could apply test results in your campaigns and if that will lead to changes. Some things Earthjustice tested, for example, included customized email headers, premium offers and landing page optimization techniques.
DIRECT MAIL...THINK LIKE YOUR DONORS WHEN WRITING: While it isn’t a crime to ignore your direct mail, direct mailers should think more like their donors to optimize their pieces, according to Mal Warwick, founder and chairman of Mal Warwick Associates, based in Berkeley, Calif. Warwick explained how you can get into the minds of donors at the at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
Here are some of his thoughts:
- Why do donors give? Your organization may be amazing, but is that why donors decide to make a gift? Their hearts, minds and spirit can motivate donors to give. Your copy should change when you are trying to appeal to a donor’s logical side, emotional side or spiritual side.
- Your donors are multidimensional. Each donor could many facets of their organizational engagement. One donor may want to participate in the bike-a-thon and make monthly donations while another can be an activist willing to make a bequest. Talk to your donors about the many ways they can connect to your organization and let them make the choices.
- What your donors really want. To be treated like human beings. Doesn’t sound too hard, right? That includes kindness in all contacts, recognition of their support, appreciation of their contributions and access to information that will inspire them to continue the relationship.
By focusing on the donor relationship you can minimize attrition and build long-lasting relationships.
Look at what your donor sees. When you put together a mail piece, you may put blood, sweat and tears in the copy and make sure the response piece leads the donor to a higher gift. But, none of that matters if the donor doesn’t open the envelope.
Actively think about sequence of what the donor will see with the mail piece -- from outer envelope, contents, lead paragraph to response device. Make sure that your donor will want to continue to the end.
PLANNED GIVING...OVERCOMING POTENTIAL OBJECTIONS TO BEQUESTS: People always have excuses for anything. Your significant other just forgot the dishes were in the sink. Your coworker always hits traffic Monday mornings. And your teenagers didn’t know 200 people would show up to a “small party” they threw the weekend you went away.
And some donors will always have excuses for putting off their estate planning, according to David Whitehead, chief development officer at AARP Foundation, and Jay Steenhuysen, partner at Covenant Calls.
Whitehead and Steenhuysen talked through some of the excuses at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md. Once you know the upcoming excuses, you can talk your donors through and show the barriers are all in their head.
Here’s some tips:
- Avoid the thought of death. No one wants to think about their own mortality. Explain that estate planning is about the donor’s life and legacy, not their death. The donor is making the choice about how they are remembered before they pass.
- Not enough money for a plan. Some donors might think they don’t have enough money to think about estate planning. But it’s not about the money -- it’s about exerting control and choosing personal representatives for medical choices, guardianship for any minor children and an executor who will protect the donor’s wishes.
- Overwhelmed by detail. Whitehead and Steenhuysen recommended focusing on goals instead of tasks. Divide the estate planning into several manageable parts. Sometimes donors should hire advisors to help with the details.
- Never hired professional help. Just because you never hired a plumber doesn’t mean you will allow your house to fill with water from a broken pipe. Explain to donors what the roles professionals, such as attorneys or financial advisors, can play in getting estate planning in order.
- I have an old plan. Ask your donors if their plans are older than 24 months. Two years can be a long time for estate plans – there can be births, deaths, inheritances or donors could have moved. Donors should be aware that some circumstances render plans ineffective. It may be time to take a second look.
MAJOR DONORS...6 IDEAS FOR CONNECTING WITH BIG DONORS: Your major donors have always been important to your organization. You should be cultivating major donors to stay with the mission and make their feel secure about their major gifts, according to Sarah Burdi, assistant vice president of Falls Church, Va. based InovaHealth System Foundation, the largest nonprofit healthcare system in the Washington, D.C. metropolitan area.
Burdi gave some tips about reaching out to major and planned gift donors at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
- Identify the donors. For InovaHealth System Foundation, a major gift donor is classified as $25,000 or more. Define what a major donor is for you and cultivate those relationships accordingly.
- Develop your message. Your communications should tell donors who you are and what makes your nonprofit stand out. Highlight why you are the organization they should be donating to and never underestimate the power of stories.
- New ways to connect. Direct mail and e-newsletters are dynamic outreach pieces in your communications. But think about developing stewardship activities. For example, InovaHealth has a lecture series that donors can attend. Reach out to your donors often and deliberately.
- Customize the major donor experience. Burdi explained that your focus should be on individual patients, not your list. Lumping all donors together doesn’t allow for personal relationships that blossom into philanthropic efforts.
- Engage major donors based on interests. Some donors would like to know more about the organization’s leadership. Some might be interested in your facility or operations. For example, Inova has President’s series and physician tours. Tailor those special touch points for the donor.
- Talk to the major donors. Don’t just communicate out. Ask your major donors how they are doing and what they feel about their relationship with the organization. Seek their opinions about how to enhance the relationship or ideas for the organization.
BOARDS...TALKING TO YOUR MEMBERS TO GO GET CASH: Board members usually aren’t born fundraisers. They might have different reasons for accepting a board position, such as a personal connection to the cause, but board members should realize fundraising comes with the territory.
But development staff can help board members navigate the fundraising landscape by charting a course for the ask, according to philanthropic consultant Carol Weisman from Board Builders. Weisman outlined what board members should know before going in for a solicitation at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
- The pyramid of solicitation. The most effective ask usually happens face-to-face with the donor with individual contact or get a group of potential donors together, then online or direct mail.
- Set an example. Board members should write out their own checks before asking for donations.
- Know the talking points. Some donors may argue why they shouldn’t give. Your board member needs to be prepared with counter points to persuade the donor to give. Arm them with the information and prep them before any solicitation meeting.
- Tag team. Your board members usually aren't professional fundraisers. Try to set up a meeting with a donor that includes a person from the development department and the board member. That way the professional can step in if the board member is drowning.
- Sharing is caring. Why should the donor be interested in the campaign? Sometime personal stories can help generate interest and emotional connections. See if a board member will share a story with a group of donors. It may sway a donor to give a gift.
- No means not right now. Some donors will tell you no. But that doesn’t mean you should never solicit them again. Find out why they said no and try to develop a better donation fit for a future solicitation.
FUNDRAISING...7 IDEAS FOR MID-LEVEL DONORS: Creating a mid-level donor club can cultivate highly reliable donors who aren’t at the major gift level, according to Lynn Edmonds, president, and Bryan Terpstra, fundraising vice president, both of L.W. Robbins Associates in Holliston, Mass. The duo explained that a mid-level donor club can positively impact your organization at Blackbaud’s 2008 Conference for Nonprofits, and shared these seven steps to grow a mid-level donor club:
- Create a distinctive brand. Every club offers some sort of distinction, and your mid-level donor club should be no different. A special name that incorporates your mission can make your donors feel appreciated. Carry that distinction into any special appeals you send to just club members.
- Determine donation levels. Recognize different giving levels and brand the donations into categories. Make sure the gifts are within reach, but always encourage donors to increase their gifts.
- Create club benefits. Benefits can be tangible, such as a decal, or intangible, such as recognition in the newsletter, or a combination of both.
- Develop an invitation series. Cultivate donors who are close to reaching the mid-level club donation target for the club, or invite higher mid-level donors to the major gifts program.
- Special acknowledgement. Thank your mid-level donors for their gifts, either in a mailed thank-you note or personal phone call.
- Promote the giving club. Make sure that the club is mentioned on the Web site, renewal mailings and any other communication channel.
- Maintain and grow the program. Constantly try to initiate donors into the mid-level club and promote some people who are already in the club into the major gifts program.
REGULATION...A CHECKLIST OF FINANCIAL AND GOVERNANCE CONCERNS: As public suspicion of nonprofits grows and political grandstanding intensifies, organizations find that they can get help in the form of watchdog organizations, those that monitor and rate entities in the sector.
The good news is that watchdogs and philanthropies are generally on the same side -- they want to ensure both the integrity and the efficiency of the sector, thus ensuring that its image as a collection of people interested in doing good is also its reality.
A good rating can serve as an organization-wide morale booster and draw in more money. A bad rating, well, it can do the opposite.
At an AICPA Not-For-Profit Executives Forum in Anaheim, Calif., Frank L. Kurre, national managing partner of the Not-for-Profit Industry Practice of Grant Thornton, and Bob Mims, controller and director of investments at Duck Unlimited Inc., spoke about the concerns that are generally on the minds of watchdog organizations. Financial issues:
- Transparency.
- Program expense as percentage of total expense.
- Fundraising cost as percentage of fundraising achievement.
- Reserves, working capital or net assets sufficient to cover some amount of annual operating costs.
- Independent audit.
- Fundraising practices and donor privacy.
Governance issues:
- Conflict of interest policies.
- Evidence of adequate board oversight.
- Compensation practices,
- Number of outside directors.
- Number of board meetings.
- Evidence of assessment/evaluation of program effectiveness.
MAJOR GIFTS...4 TIPS FOR NAILING THE GIFT: A face-to-face solicitation of any major gift can be nerve-wracking. Add in the current state of the economy and you have a recipe for stomach butterflies, intense sweats and babbling.
Preparing before the meeting can reduce your worry and increase your chances of landing that major gift, according to Barbara Ciconte, senior vice president of consulting services at Donor Strategies, Inc., in Chevy Chase, Md., and Jeanne Jacob, executive director of Goodwin House Foundation in Alexandria, Va., during the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
Here are their tips:
- Make sure everything is just “right.” Face-to-face solicitations for major gifts should be carefully planned to work best with the prospect, from the right gift amount to the right setting. Ciconte and Jacob said that you should spend 80 percent of your time planning and just 20 percent of your time asking.
- Know why they want to give. Analyze why your prospect would want to make a gift. Do they have a personal experience with the mission? Do they care about their public image in the community? This could help you develop your strategy.
- Put everything on the table. Map out why the program is important, what plan will be in place, cost efficiencies and your successful track record. The donor is willing to make a bet on your mission with their money. Make sure they know it isn’t a gamble.
- Provide easily accessible information. Give donors something they can take home and look at when they think about your informational points. That can include a detailed case of support, brochures, newsletters or appeal letters. Foster a personal relationship by inviting the donor to special events, site visits and meetings with high-level staff.
COMMUNICATIONS...7 IDEAS FOR GETTING TO THE DONOR'S HEART: Fundraisers have more communications channels than ever – direct mail, your homepage, direct response television, Facebook. The options can make your head spin. But you have to ask yourself, how do you make your messages count?
Sarah Burdi, assistant vice president of Falls Church, Va. based InovaHealth System Foundation; Bruce Wenger, vice president of client services and senior consultant for Henderson, Nev.-based IDC, Ltd.; and Jessica Harrington, vice president of Philadelphia headquartered Schultz & Williams, outlined some key messaging strategies at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
Here’s how to start getting the most out of your messages:
- Focus on core mission. When you drift away from your mission, donors get confused and might think you aren’t utilizing the donations. Make your donation messages strong and relate back to your true mission.
- Tell a story. The messages get lost in a sea of statistics. Drive your message down into a story for your donor to make an emotional connection.
- Find your unique voice. Messages from individuals, such as your organization’s CEO, could drive response higher than the faceless organization. Make it someone your donors would respect and want to hear from.
- Be thankful. Let your donors know that your organization is grateful for their contribution. Try to include where the gift helped or include information about the overall campaign, so donors know they were a part of a larger movement.
- Listen to donors and report back. Communication shouldn’t be a one-way street. Ask donors to give their opinions about what the organization is doing. Then, thank them for their input and write what will happen with those results.
- Be specific. Give donors choices, such as different donation amounts, to focus their attention.
- Create urgency whenever possible. It can get donors to react fast. But don’t slap “urgent” on every communication -- it could desensitize your donors for when you really have a crisis.
MARKETING...YOU NEED YOUR OWN SLOGAN THAT PEOPLE UNDERSTAND: Bill Clinton’s 1992 slogan “It’s the economy, stupid” was a simple statement that represented a complex problem. Nonprofits should adopt their own slogan – “It’s the awareness, stupid.”
People know the issues are out there -- poverty, war, discrimination, natural disasters, abuse. But do they understand the need? And you can’t build a following of people volunteering, donating, and advocating if they’ve never heard of you.
The Alzheimer’s Association faced those problems – nearly 90 percent of Americans know someone with Alzheimer’s, but most don’t realize the disease’s scale, according to Angela Geiger, a vice president at an American Marketing Association Nonprofit Marketing Conference. The association garnered 90 million impressions and was covered by USA Today, U.S. News & World Report, and CNN when releasing a fact and figures report last year about the disease. Geiger shares how to bring the attention to your cause:
- It’s worth their attention. The Chicago-based organization dropped an informational bomb on the front cover of its facts and figures report – 10 million U.S. baby boomers will develop Alzheimer’s disease.
- Make facts available to everyone. That helped solidify the organization as the expert voice on the disease.
- Celebrity champions. The organization worked with celebrities like David Hyde Pierce, Wayne Brady, Vivica A. Fox and Jean Smart, to speak out about Alzheimer’s. “Almost all of our celebrities have a personal connection” to the disease, said Geiger.
- Provide information. People want to know more – and might turn to your organization. The Alzheimer’s Association Web site became a haven for people and families affected, providing information on the stages, warning signs, legal issues and more.
- Different strokes for different folks. The Association segmented some information for children, African Americans, Latinos, and even providing information in Chinese.
BRANDING...10 ESSENTIALS TO ENHANCING BRAND POWER: A solid brand identity can tell an important story, setting expectations, gaining attention and fostering relationships, according to Cone, a Boston-based strategy and communication agency. Since a brand valuation can help transform an intangible idea into a concrete asset, Cone offers 10 essentials to enhancing brand power:
- Engage fresh constituencies: Creating tailored programs for different demographics, through relevant connecting of sub-brands, helps define what an organization offers.
- Adopt new currencies: When financial resources dwindle, savvy nonprofits recognized the value in more "creative tender," including skills-based volunteerism, in-kind gifts of products and services, or diversifying their fundraising sources.
- Modernize fundraising: Be aware of the changing dynamics of your donors' needs and where they get their information. Nonprofits and their corporate partners are turning to digital fundraising, micro-philanthropy and online communities to reach their donors.
- Deliver crisp communications: Make it easy for audiences, on the first impression, to understand who you are and what you do.
- Establish, and adhere to, brand guidelines: Ensure consistent use by staff, volunteers, partners, media and others and make sure everyone in the organization has a clear understanding of what you stand for and how to state it accurately and succinctly.
- Build brand stewards: Leading brands continuously express mission, vision and values through the actions of staff, volunteers and board members who share the organization's story. Evangelizing the purpose and brand meaning is the responsibility of the leader and leadership team.
- Develop quick reflexes: Give people opportunities to engage with your brand in relation to events in the world around them, from natural disasters to economic realities to the nationwide call to service.
- Build corporate partnerships: Identify and recruit companies that share your values to become catalysts to broaden your mission and become stewards.
- Create a dialogue with brand ambassadors: External stakeholders hold the brand in their hands; actively communicate your mission, goals and results and solicit their feedback.
- Issue a rallying cry: Develop branded cause-related initiatives that will rally new audiences and re-energize existing brand ambassadors.
BOARDS...TEACHING MEMBERS TO ACTUALLY FUNDRAISE: Telling your board members to go out and fundraise is comparable to telling them to walk off a cliff. It doesn’t do any good for your fundraising and it’s not the best situation for your board either.
Give them a parachute by preparing them for fundraising and donors ahead, according to Barbara Ciconte, senior vice president of consulting services at Chevy Chase, Md-based Donor Strategies, Inc., and Lee MacVaugh, director of development and fundraising at The Character Education Partnership in Washington, D.C.
Ciconte and MacVaugh explained what it takes to get your board members ready for fundraising at the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
Here are their ideas:
- What you need from board members, besides a sunny disposition? Have each board member sign confidentiality and conflict of interest policies. Also have your board members write down their interests – it may help matching them to donation asks.
- What board members need from you. Each board member should be given an outline of role descriptions and responsibilities. That will ensure they know what is expected of them.
- Create board ambassadors. Board members should be coached on the organization’s facts and messages. They should know how to describe the organization and what it does in just a few sentences.
- Advocate for the cause. Try to develop your board member into an activist that can take the organization’s mission to leaders. Prepare them for debates, questions and objections that may come up when talking about your organization.
- Fundraise for the mission. Your board members may know the case statement inside and out, but make sure they still think about the ask. Team up development staff with a board member the in the beginning to prevent a freeze up once donations come up.
- Pack a survival kit. Give your board members any material or information they would need to solicit. Make up a packet that the board members could use and leave with prospective donors, which may include brochures, fact sheets, a development office contact list and pledge cards.
PLANNED GIVING: DON'T LET DONORS DROWN: Volatility in the stock market might make individuals looking for security more open to charitable gift annuities (CGA). But, at the same time the market might be wreaking havoc on a charity’s annuity reserves, a portion of which are usually invested in equities.
The American Council on Gift Annuities (ACGA) recommends a portfolio be invested 40 percent in equities and 55 percent in bonds, with 5 percent cash.
To read the complete article click here.
MANAGEMENT...7 STYLES FOR A RANGE OF LEADERSHIP: An integral part of good leadership is good communication. At the AICPA Not-for-Profit Industry Conference, Joan Pastor, president of JPA International, identified a range of leadership communication styles.
Those styles, from least effective to most effective, are:
- Laissez-faire leadership. Necessary decisions are not made, actions are delayed, responsibilities are ignored or abdicated and authority remains unused.
- Transactional leadership -- management-by-exception (MBE). Focuses on what is missing or not in place and tries to correct it. Looks to deviations from standards. Has a negative quality in interactions with others.
- Transactional leadership -- contingent reward (CR). The leader assigns and gets agreement on what needs to be done and promises specific rewards, possibly praise.
- Transformational leadership -- individualized consideration. Has good listening skills so people feel heard, recognizes individual differences, creates new learning opportunities.
- Transformational leadership -- intellectual stimulation. Achievement oriented, people oriented, empirically "here and now" oriented, and idealistically oriented.
- Transformational leadership -- inspirational motivation. Appeals to followers’ feelings, sentiments and emotions, communicates vision clearly, considers ways to make the environment more supportive and inviting.
- Transformational leadership -- idealized influence. Has the ability to communicate so others listen. Puts the needs of others before their own, demonstrates high standards of ethical conduct and consistently looks for and focuses on areas of agreement, creative solutions and solutions of mutual benefit.
(From The Non-Profit Times)
BOARDS...DON'T JUMP OVER MEMBERS' STRENGTHS: It might be a different kind of board game, but philanthropic consultant Carol Weisman from Board Builders still compared board management strategies to either checkers or chess during the recent Bridge to Integrated Marketing & Fundraising Conference, in National Harbor, Md.
Weisman said some organizations think of board members as checker pieces with equal strengths. But she advised that nonprofits should use board members as chess pieces, each with their own strengths and weaknesses.
Here’s how to get in the game with your board management strategy:
- Board members don’t join to raise money. Some have a personal affiliation to the organization and are honored to be a part of the board. Make sure members know that some level of fundraising is necessary before accepting the position.
- Time isn’t money. Weisman explained that a board member dedicating time to the organization doesn’t translate into dollars to pay staff and keep doors open. Fundraising needs to happen.
- Rejection will not kill the board. At least in the fundraising world, she explained. Getting a “no” is tough, but your board member will survive. Make sure you encourage successes by bringing them up in board meetings to boost morale.
- Staff and board members are partners. Development staff can pinpoint prospects while board members can make the ask. The strength of one relies on the other.
- Board members have their kryptonite. Ask board members about areas where they thrive or take a dive. You should respect the fact that not every board member will be the life of the special event. Play to a member’s strengths and you will see fundraising results and ultimately a happier, more effective board member.
(From The Non-Profit Times)
HOW TO WRITE THE PERFECT PRESS RELEASE: Whether you think there's a better alternative or you'd rather receive PR pitches by Twitter, press releases are still a popular format for public relations and communications teams when contacting journalists. But how can these releases become as popular with the journalists receiving and reading them? Click here to read the rest of this article.
FILE FORMS 990 ELECTRONICALLY: Developed by NCCS, 990 Online© is a web-based application that allows nonprofit organizations and nonprofit accountants to electronically prepare and submit IRS Forms 990, 990-EZ and 8868 (Extension Request). The service is free for small organizations. Read more.
Accessing Stimulus Funds for Arts Education offers details about each program that was funded through the ARRA stimulus legislation, details of arts education’s fit within each program, and guidance on accessing the funds. Click here to view the report.
NEW FREE SERVICES FOR DEAF OR HARD OF HEARING: If your nonprofit or library works with supporters or community members who have difficulty hearing or are deaf, there's a cool new freebie out there to help ensure that people can communicate well by phone with you and everybody else. Please feel free to share this info with your networks, local community centers, or health care facilities.
As of January 2009, American Network has "been approved by the Federal Communications Commission to provide IP Relay, Video Relay Services (VRS) and Internet Protocol Caption Telephone Service (IPCTS)." This phone captioning service is free because it is funded by the Federal Communications Commission.
PhoneCaption.com provides free captioning for telephone calls to help those who are hard of hearing. PhoneCaption.com supports normal phones to IP phones and sends voice dialogue via text through the Internet or your IP phone screen. The non-hearing party receives captions to read of what is being said, via the web or a Cisco 79XX IP phone screen display for example.
In addition to the phone captioning, they also provide FreeRelay.com, a text or instant messaging relay service where calls are relayed through a live "Communication Assistant" 24 hours a day.
There are an estimated 1 million deaf people and nearly 10 million hard of hearing in the U.S. This service can provide new methods of communicating for many of these people who may not have special relay equipment and would prefer to use their phone, Internet connection, or VoIP to make calls.
A SAMPLE ONLINE OUTREACH PLAN: From the always helpful Colin Delany, this is an example outreach plan that he put together for a client. BOARDS...THE INCONVENIENT TRUTH ABOUT MEMBERS: Many nonprofit managers, beset with a mountain of issues even before they get to work, regard the board of directors as a necessary inconvenience. The truth, however, is that a dynamic board can do wonders for the mission of an organization.
Speaking at the Association for Healthcare Philanthropy 43rd Annual International Conference, Jason Chandler of the Gwinnett Medical Center Foundation, June Bradham of Corporate Development and Greg Pope of the St. Thomas Health Services Foundation highlighted the importance of a good board, as well as the necessity of a board working well with paid staff.
Some considerations include:
- The relationship of foundation board work and institutional priorities should be transparent, believable and aligned.
- Board members give to organizations where their personal satisfaction is high and their respect for and like of the CEO is significant.
- The satisfaction of the board is the responsibility of the CEO.
- Further, they suggest that nonprofit managers take action steps by asking the following questions:
- What is your relationship with the board?
- Who is driving the case for support?
- Are yo
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